Born Brisbane, 1956, lives and works in Sydney
Noel McKenna’s ‘unstudied’ looking, spare, almost nonchalant paintings are most frequently rendered with an apparently simple directness, onto small framed and glazed plywood panels (and occasionally ceramic tiles or larger, conventional canvases). McKenna’s long-term fascination with the most ordinary of daily details; domesticated animals, lost pet posters, vernacular construction techniques (Queenslander houses on stilts or suburban Melbourne for example), the number and location of public toilets or other municipal utilities and specifics, transform his work beyond any restriction of nostalgia or the confines of cultural specificity, towards a common and important reading of universal liminality. McKenna’s observational choices may come from the normal, the ordinary everyday – the “super-normal” as he describes it – but they come out the other side as extraordinary, metaphysical, unconcealed. His work simultaneously retains the sophistication and knowingness of the highly trained professional artist, yet inherently articulates the innocence, urgency and necessity of the self-taught.
Almost a national institution in his own right, McKenna has staged numerous solo exhibitions throughout Australia and New Zealand over the last 30 years and is regularly listed in the Australia Art Collector’s ‘50 Most Collectable Artists’. The Queensland Art Gallery and Museum of Modern Art opened, Landscape – Mapped, a solo presentation of Noel McKenna’s large-scale map paintings, in November 2017.McKenna’s fifth solo exhibition with mother’s tankstation, to wink at the cat, opened in our Dublin gallery in April 2024. Other recent solo exhibitions include: Sleep my horse……5 August 1956, Maitland Regional Art Gallery (2023), Cats That I Have Known, Robert Wilson’s Watermill Centre, Long Island, and Noel Mckenna, Ten Cubed, Melbourne (both 2016). mother’s tankstation staged a solo presentation of McKenna’s work at Solos, Taipei Dangdai (2019) and Discoveries, Art Basel Hong Kong (2014). Notable recent group exhibitions include The Popular Pet Show, National Portrait Gallery, Canberra (2016), Living Rooms, Musée du Louvre, Paris (2014); South of No North, Museum of Contemporary Art, Sydney (2013). McKenna’s entry for the Jacaranda Acquisitive Drawing Prize (JADA), Hamlet (2019), was acquired for the Grafton Regional Gallery, New South Wales’ collection of contemporary drawing in 2020. McKenna has previously won the Sulman Prize in 1994, and the Art Gallery of New South Wales Trustees’ prize for watercolour five times, most recently in 2021, with his entry Tree, Headland (Ottoman Rose) (2021). In 2024, McKenna won the Darling Portrait Prize, a biennial national prize for Australian portrait painting, awarded by the National Portrait Gallery, for his painting William Nuttall with Horses in field (2023).