‘Form and Function Come Alive at ICA, Philadelphia’
Stephanie Bailey, OCULA
1 November 2023

”Moveables’ Imagines Our Bodies In Entangled Coexistence’ 
Chris Murtha, Frieze
18 October 2023

‘On View Now: Two Shows on Domesticity and the Housing Crisis’
Farah Abdessamad, Observer
12 October 2023

‘Hannah Levy Makes Sculptures That Look Like the Unholy Union of Corbusier and Cronenberg—and the Art World Can’t Get Enough’
Taylor Dafoe, artnet 
26 June 2022

‘Looking Inward, and Back at a Biennale for the History Books’
Jason Farago, New York Times
30 April 2022

‘The best of the Venice Biennale – the ultimate primer of contemporary art’
Jessica Lack, Christies
29 April 2022

‘Preview of the 22 Venice Biennale Part One ‘The Milk of Dreams”
Ella Slater, Frieze Critics’ Guide
April 2022

‘Women of Now: Dialogues of Memory, Place, and Identity at The Green Family Art Foundation’
Jonathan Goodman, Whitehot Magazine
March 2022

‘Hannah Levy “Surplus Tension” The Arts Club of Chicago’
On View, Flash Art
February 2022

‘Domestic Discomfort’
Brecht Wright Gander, DAMN79 Magazine
January 2022

‘Just for a Frill: A Review of Hannah Levy at the Arts Club of Chicago’
Alexandra Drexelius, New City Art
November 2021

‘Between the flesh and the machine’
S. Nicole Lane, Chicago Reader 
November 2021

‘Hannah Levy’, Pendulous Picnic review
Jeppe Ugelvig, ArtReview
April 2020

Seduce and Destroy: Hannah Levy’s Dangerous Looking Sculptures’
Rob Goyanes, Art in America 
March 2020

‘What to See Right Now in New York Art Galleries’
Will Heinrich, The New York Times 
February 2020

‘THE ARTISTS’ ARTISTS’
Hugh Hayden, Artforum
December 2019 

‘Hannah Levy’s Latex Furniture is Art’
Julia Gray, Playboy 
November 2019

‘Tactile Subversion’
Rachel Donnelly, Totally Dublin
June 2018

‘Hannah Levy’, Mental Furniture
Whitney Mallett, Pin-Up
Spring Summer 2018

‘Hannah Levy’, Swamp Salad review 
Colby Chamberlain, Artforum International
April 2018